Artistic Advisory Council

Elver Ariza  •Michael J. Bobbit •Rick Foucheux •Ryan Haddad •Russell Harvard •Justin Schmitz •Ayisha B. Knight-Shaw •Michael Kyrioglou •Susan Lynskey •Scot McKenzie •Rob McQuay •Jake Null •Arianna Ross •Scott Sedar •Pranjal Varma

The Artistic Advisory Council strives to elevate the visibility and reach of Open Circle Theatre. Through the vital power of collective storytelling, we continue to shape the field of theatre and our larger society. We believe in open-hearted, accessible, inter-sectional theatre practice that engages and enacts diverse perspectives and lived experiences. We are working together to create a better future during this moment of challenge and change by fostering more accessible community for all.

OCT’s mission statement guides the work of the Artistic Advisory Council.

Artistic Advisory Council members serve as mentors and models of artistic excellence, as well as advocates for artists and for the artistic process. We support and promote accessible, integrated and inter-sectional theatre. We provide guidance and expertise on areas of import to the company (e.g., play selection, outreach efforts, and the mentoring of young actors).

In our changing and challenging times, we recognize the need, and confirm our desire, to preserve strong core values and yet be responsive, adaptive, and ever-growing and evolving.

The Council meets twice each year to share stories from the field, our diverse perspectives and lived experiences; to revisit, realign/reinvent, and reinvigorate OCT’s goals and aspirations. Members also make themselves available from time to time throughout the year to join a brainstorm, a classroom, and/or a rehearsal room; to provide a sounding board and sound advice.

I am honored to serve as the inaugural chair of the Artistic Advisory Council.

I know the artists here. I know they possess the highest level of integrity and excellence on and off the stage. They are my favorite combination of instigator and fellow – individual and collaborator. But, most importantly, for me, they always care about the good of the “whole show” as well as their “part.” The current members of the Open Circle Theatre Artistic Advisory Council are:

Susan Lynskey is an award-winning actor and educator with a long history of commitment to and collaboration with the d/Deaf and disability communities. She has served as an Advisor to the National Disability Task Force for Theatre in Higher Education; as an Englehart Fellow for Diversity, Equity and Inclusion; a Doyle Fellow for Teaching, Learning, and Innovation; and a Master Teaching Artist/Trainer for NAEP (National Assessment for Educational Progress). She came of professional actor-age in the Deaf community in DC, working first as a Voice Artist and then as Director of Voice for ASL productions at Gallaudet University; she authored and taught Deaf Performance Culture courses at Georgetown University, fostered the inaugural cross-Campus performance exchange, forwarded the Disability Studies Major there and secured the placement of ASL in the curriculum for the first time in GU’s 231-year history. Lynskey serves as a Master Teaching Artist for Ford’s Theater/Deaf-West and on the Artistic Advisory Board of Sign Performing Artists. She guides autism/sensory-friendly performances as a consultant for The Kennedy Center’s Theatre for Young Audiences and Imagination Stage. She directed and devised VISIBLE IMPACT, a work that explores and enacts diverse experiences and perspectives from the d/Deaf and disabled communities. She is honored to serve as the inaugural chair of Open Circle’s Artistic advisory Council.

— Actor
Agent: HCKR

Pranjal Varma is a graphic designer helping Open Circle Theatre with their website.

 He got into this line of business in 2020, when he first started making their website.

He is passionate about being a graphic designer & doing the creative work on websites. By age 15, he had already started learning to make websites for small clients. He now has a diploma and advanced courses in animation, using Adobe Premiere and After Effects and looks forward to adding more exciting features to websites.

Graphic designer is not only his hobby but also his profession.

He thinks of himself as an outgoing person.

Pranjal lives and works in Rockville Maryland and looks forward to building a professional studio here in the near future.

Ayisha Knight-Shaw is a California based Deaf multimedia artist, poet, educator, Reiki Master Teacher, and ASL theater consultant who is thrilled to be part of the Artistic Advisory Council.  The daughter of a White Jewish mother and Black Cherokee father, she was raised by her mother in an ethnically diverse community of poets, painters, sculptors, photographers and storytellers who taught her that creating and sharing art is as much a political act as a thing of beauty. Over the years, her passion for art, storytelling, theater, Reiki and education has been forming a tapestry that continues today.  If you would like to see more of her work or would like to know more, you can visit or contact


Michael J. Bobbitt is the Artistic Director of New Repertory Theatre in Boston, MA.  He is an arts leader, director, choreographer, playwright and Anti-racist Arts Advocate.

Michael has been a leading voice for Inclusiveness in the arts beginning early in his career in his hometown of Washington, DC, and throughout his tenure at numerous prominent arts organizations, where he has been repeatedly recognized for his efforts in the advancement of Anti-racism, Equity, and Diversity. His practices, policies and procedures for creating and changing culture within arts organizations have been adopted by several organizations around the nation. His thought-leadership in this crucial area is now spreading to a number of national outlets including regional panels, national conferences, and his widely popular new series of webinars focused on building Anti-racist organizations.

In his first year at New Rep, Michael eradicated the debt, built three several months of reserves, increased ticket sales by 43%, donations by 24%, patronage by 26% and Board giving exceeded goal by 57%.  Additionally, he has made New Rep into a leading voice on building Anti-racist theatre.

Prior to New Rep, he served as Artistic Director for Adventure Theatre-MTC in Maryland, where he led the historic organization to be one of the leading theatre/training companies in the DC region and a nationally influential professional Theatre for Young Audiences.  He led the company through a merger, that increased the organizational budget by more than 600%, and led directly to an expansion of the audience base by over 400%. During his tenure, he commissioned 40 new works by noted playwrights, transferred two shows to successful Off-Broadway run in NYC, and oversaw the launch of an international tour that brought worldwide attention to Adventure Theatre-MTC. Michael founded and built a performing arts training academy for school-aged students in the Washington, DC area that became an important resource for young artists in a region where public school arts programs had been sacrificed in the name of cost-cutting. His productions received dozens of Helen Hayes Award© Nominations and featured eight wins.

Bobbitt has directed/choreographed at Arena Stage, Ford’s Theatre, The Shakespeare Theatre Company, Olney Theatre Center, Studio Theatre, Woolly Mammoth Theatre, Center Stage, Roundhouse Theatre, The Kennedy Center, and the Washington National Opera. His national and international credits include the NY Musical Theatre Festival, Mel Tillis 2001, La Jolla Playhouse, Children’s Theatre of Charlotte, Jefferson Performing Arts Center, and the 1996 Olympics.

As a writer, his work has been produced all over the country and international.  He has plays published by Concord Theatricals, Plays for Young Audiences and Broadway Licensing.  He trained at Harvard Business School’s Strategic Perspectives in Nonprofit Management, The National Arts Strategies Chief Executive Program, Professional Fundraising Certificate Program from Boston University, Certificate in Diversity and Inclusion from Cornell, art-equity and People’s Institute for Survival and Beyond, and other top leadership programs. He earned the Excel Leadership Award (Center for Nonprofit Advancement) the Emerging Leader Award (County Executive’s Excellence in the Arts and Humanities), and Person of the Year Award (Maryland Theatre Guide), among others.

Jake Null is a local music director, producer, engineer, audio consultant, and sound designer. He is a proud alumnus of Virginia Tech and Berkley School of Music.  Winner of 2 Helen Hayes Awards and nominated for 5 more.  Credits include: Keegan Theatre: Chicago, Big Fish, Parade, Next to Normal, American Idiot, Dogfight, Hair, The Full Monty, Spring Awakening, Working, National Pastime; Levine Music Theatre: The Drowsy Chaperone, 1776, A Christmas Story; Constellation Theatre Company: Urinetown, Avenue Q; Open Circle Theatre: The Who’s Tommy; Capital Fringe: The 27 Club.

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SUZANNE Richard has a BA in Dramatic Arts from the University of North Carolina at Chapel Hill. With Open Circle Theatre, she received a Helen Hayes nomination for Outstanding Direction and Outstanding Production of a Resident Musical for Jesus Christ Superstar.  She currently works as a professional actress in the DC area with companies such as The Folger, Ford’s Theatre, Washington Shakespeare Company, Imagination Stage, and 1st Stage. She also works as a consultant to the U.S. International Council on Disabilities, where she was previously the Outreach Coordinator.  

If you are interested in joining OCT’s Artistic Advisory Council, please send an email with a brief bio to I look forward to connecting with you.

Susan Lynskey, Chair

Artistic Advisory Council